Dr. Desmond O’Neill, of Trinity College Dublin, was presented with the Joseph T. Freeman Award at the 67th annual scientific meeting of the Gerontological Society of America, held in Washington D.C in November. The presentation was made on behalf of GSA by Dr. Marilyn R. Gugliucci, director for Geriatrics Education and Research at the University of New England College of Osteopathic Medicine. DAVID ALEMAN/f-stop Photography [Click on image for larger picture.]
Story by Peter McDermott
Late Matisse. Late Turner. Late Rembrandt.
They were the themes of the big exhibitions in London galleries this past year. So pointed out Dublin geriatrician Dr. Desmond O’Neill, one of world’s leading researchers in his field.
“Arts people are smart and they can see the trends,” he said. “There’s this schlocky phrase that ‘artists are the storm troopers of consciousness.’”
And in this instance, he believes, they’ve detected the seismic shift in attitudes in his profession about aging and increasingly in society at large.
“The narrative has been a simplistic one of loss and decline,” said O’Neill, professor of Medical Gerontology at Trinity College and consultant physician in geriatric and stroke medicine at the Tallaght Hospital campus. “There’s a huge swing back against that.
“We’ve got to recognize growth in later life. And also not only recognize growth, but also the extraordinary abilities of people in later life to cope with the existential problems they have.
“Older drivers have the highest levels of illnesses that might affect driving, yet they’re the safest group of drivers on the road,” O’Neill said.
“So, their adaptive abilities, their mastery of how they engage with their environment, is brilliant.
“Not only that, but if there’s an accident where a child’s in a car and if the grandparents are driving, you halve the risk of serious injury compared to the parents driving them. So they not only bring something to the roads on their own behalf but they bring it on behalf of others,” said O’Neill, whose research is rooted in gerontology and the neurosciences, with a strong emphasis on liaison with the humanities.
There is now a fascinating body of literature on the older worker, according to the Dublin physician.
“If you have come down in the Hudson and survive, do you want an almost 60-year-old with all his life experience or do you want a 25-year-old?” O’Neill said, alluding to Chesley Sullenberger’s successful navigation of Flight 1549 on Jan. 15, 2009.
Research shows, he reported, that older workers have less time off and are more productive than younger colleagues in many jobs.
“Older roofers, for example, seem to spend a little bit more time per tile, but actually get the job done faster because they know the shape of it,” O’Neill said.
Older hotel receptionists, he said, “take a bit long longer on the phone call, but they get more second reservations.”
For the Trinity professor, the American humorist P.J. O’Rourke summed it up best with the title of his 1995 collection: “Age and Guile Beat Youth, Innocence and a Bad Haircut.”
On the other hand, he doesn’t believe what he labeled the “Pollyannaish” approach suggested in popular books like “Younger Next Year” is helpful.
“People used to talk about ‘successful aging.’ It means that if you didn’t reach the criteria of successful aging, you’d failed,” said O’Neill, who is a married father of seven children from 24 years down to 13.
Henri Matisse did not successfully age in a physical sense. After decades painting standing up, he was forced to adjust his style radically sitting down. “Through his disability, he grew and changed and produced something new,” O’Neill said.
Aging, therefore, must be seen in terms of gain and loss.
“So what we’re actually talking about is ‘optimal aging’ that understands the existential hits that we’re going to take in terms of disability and creates a system that frees you from unnecessary constriction by that disability,” O’Neill said.
That means building more “age-attuned” and livable societies, which are in the longer-term interest of all of us.
One way he promotes this is with his research work for ITN America, a non-profit that “supports sustainable, community-based transportation services for seniors,” both in this country and worldwide.
If the lack of a social-economy transport model in rural and suburban America is one issue about which he has a particular passion, another is the relative scarcity of people like him.
“They don’t recognize them,” he said of geriatricians in the U.S.
The fact that America has so few compared to other industrialized nations is a serious flaw in the system, he believes. He used the hypothetical of example of an ER with two options for the older patient: behind Door A is a geriatrician and behind Door B, the general medical service.
“You reduce the chances of death or going into a nursing home by 25 percent by going into the geriatrician,” O’Neill said.
“It can happen and it can change [in the U.S.]. The Canadians have changed direction,” he said.
So has the mixed public-private system in Australia, where he spent last summer as a visiting professor. “They know that a takes an hour to do a comprehensive geriatric assessment. They pay you A$400 to do it, and if you do it by telemedicine they pay you A$600,” O’Neill said.
In the U.S. however, geriatrician pay and conditions simply don’t match up with the other specialist areas.
“Many who do it here are extraordinary people in the face of this very problem,” he said.
Henri Matisse. [Library of Congress]
O’Neill has come to know some through his attendance each year at the scientific meeting of the Gerontological Society of America, which gathers the nation’s – and some of the world’s – leading experts on the various aspects of aging.
At the most recent, the 67th annual, attended by more than 4,000 people in Washington DC in November, O’Neill was honored with the Samuel T. Freeman Award. It is given to a “prominent physician in the field of aging – both in research and practice – who is a member of the Society’s Health Sciences section.” As part of that, he will give a keynote lecture at the 2015 conference in Orlando.
O’Neill is the first European recipient in the award’s 37-year history. The GSA cited, in particular, his more than 300 peer-reviewed scientific papers and chapters.
The Dubliner is also the author of the 2013 book, “Ageing and Caring,” which is aimed at older people and their adult children, and writes a monthly column for the Irish Times as well as a regular blog for the British Medical Journal.
O’Neill attributes his productivity at least partly to genetics. He’s a speed-reader, just like his mother. She was home-schooled in Sligo by her parents – one a domestic-science instructor and the other an antiquarian who worked for the Land Commission.
“She had an hour of French a day and an hour of Irish a day. She and her two sisters – she’s the surviving sister – would speak the most beautiful Connemara-type Irish,” he remembered.
After careers as a nurse and an Aer Lingus hostess, his mother, between child three and eight, studied to become a doctor. His father, a native Dubliner, was an accountant before becoming a pediatric surgeon.
O’Neill watched his physician parents deal with late-life dementia in his grandparents with a mix of “care and distress.” He considers himself fortunate to have positive memories of his four grandparents and is glad also that his own children have had time with their grandmothers.
He described his upbringing as “supportive and nurturing,” adding “I had a very enriched environment.” It gave him a curiosity that is, he believes, an essential, even defining quality for the geriatrician.
An early influence as an adult was his year in Marseilles with the non-profit Les petit frères des Pauvres (the Little Brothers of the Poor), which aims to relieve isolation and loneliness among seniors.
“Their motto was ‘Flowers Before Bread,’” O’Neill said. “The state will take care of the basics, but who makes you feel special, remembers your birthday, takes you on holidays?
“I remember thinking: ‘That’s trimmings on the cake,’” he said. “But I began to realize that’s what it’s about.”
Slightly above middle
O’Neill summarized one of his research tracks in Ireland thus: “Instead of going in with a music group to a bunch of people in a nursing home or doing painting activities with them, find out what it is they feel they no longer have that they used to have and how can we help with it.”
Seniors can suffer from not just esthetic deprivation but also esthetic injury, he said, “because often in a nursing-home or hospital environment there’s a lot of noise and horrible things on the walls.”
In his view, a “very vibrant arts program” can lift the morale of patients and staff.
O’Neill, who is the director of the National Centre for Arts and Health at Tallaght Hospital, offered by way of a concrete example: “We had a composer in residence in our stroke unit and our Parkinson’s unit.”
Asked where Ireland ranks in the international league table on care for seniors, O’Neill replied: “Somewhere in the middle, possibly slightly above the middle. The Nordic countries are at the top.”
Now all the public hospitals in Ireland have geriatricians, whereas none of the private hospitals has.
“The will is there,” he said about official attitudes. “There’s no doubt.
“We now have geriatricians in acute medical units. There’s a national clinical program for older people. Only Austria, Belgium and Ireland have done this.”
O’Neill added: “The National Aging Strategy is a bit bland and lacks teeth I must say, though we’ve a good minister for older people in Kathleen Lynch from Cork. She is the best one there has been yet. She really has her heart in the right place.”
The U.S.-based Atlantic Philanthropies helps by supporting geriatric and gerontological projects in every university.
Overall, the position of geriatrics has improved since he returned from posts in England in the early 1990s.
“You had to be tough. There was much greater amount of ageism in the system when I arrived. You had to be bloody-minded and ignore it,” he recalled. “Now it’s really changed. It’s respected.
“I’m enjoying working in this area here,” O’Neill said. “If I were reincarnated, I’d be doing it again”
Peter McDermott wrote this article with support from the Journalists in Aging Fellows Program, a project of the Gerontological Society of America and New America Media that is sponsored by AARP.
New York State Comptroller Tom DiNapoli followed up his triumphant Nov. 4 electoral performance with the most intensive visit yet by a state comptroller to Belfast.
In the city, the comptroller met with community leaders from the unionist and nationalist communities and was briefed on the progress of early-stage companies which benefited from his $15 million investment in March in Crescent Capital — representing the biggest-ever single investment by a state pension fund in a Northern Ireland equity vehicle.
The comptroller also addressed over 500 people gathered for the annual Aisling Awards, the city’s premier awards event, and met with Deputy First Minister Martin McGuinness and British Secretary of State Theresa Villiers.
His first visit to Belfast since 2008 saw the comptroller, who was accompanied by his chief advisor on Ireland, MacBride Principles co-author Pat Doherty, visit the Bombardier Aerospace plant in East Belfast.
For years under fire in Irish America for its religious imbalance in the workforce, Bombardier has pushed the percentage of Catholics in its workforce to just 16.7 percent, even though Belfast now has a marginal Catholic majority.
The comptroller told the Aisling audience that he was determined to keep “the equality agenda” front and center as peace talks, aided by President Obama’s peace envoy Gary Hart, continue at Stormont.
“I met people across Belfast who have suffered and who have issues which must yet be resolved, but I was heartened by the resolve of all sides to move forward,” Di Napoli said.
(Gregory Harrington photo from Daniel D’Ottavio)
By Áine Ní Shionnaigh
Despite being tightly huddled inside a grey hoodie, Gregory Harrington still retains an air of elegance on a damp and dreary pre-Thanksgiving morning when we meet for coffee on the Upper West Side. As he displays apprehension about the impending snow, I chastise him for becoming like a native New Yorker. What he is actually becoming, is Ireland’s most recognized concert violin soloist; one who sweeps listeners away with the emotion of his music, emotion and connection, two words that consistently come up throughout our conversation.
The single most emotive connection that I have experienced in my lifetime was the first time I heard Gregory perform. It was in the opulent Beaux Arts Grand Salon of the JW Marriott Essex House Hotel, he took center stage and eloquently explained the background to the music he was about to play. The piece he appropriately chose for the Guest of Honor, Vice President Joe Biden was from Turlough O’Carolan, a renowned blind Irish fiddler. Joe Biden’s great-great grandfather was also a blind fiddler who immigrated to America. Sitting in the stunned silence as the haunting notes of gypsy and classical harmoniously fused, it was as if the spirit of the previous three generations of Biden’s were reincarnated with each note. Sitting near the Vice President, observing the emotions etched onto his face, I was never as proud to be Irish.
Gregory is as his music: articulate, eloquent, charming, with an underlying intensity. With his intense expression and innate sense of style, he is a modern day fusion of Clarke Gable and Laurence Oliver. He would look as equally at home on the Ralph Lauren runway as he does on stage at Carnegie Hall.
How early did it start for Gregory? At the tender age of 4, he was attending the Dublin Horseshow at the RDS with his mother, a bandstand with a string quartet caught his attention and changed the whole focus of Gregory’s future life. On hearing the violin, Gregory grabbed his mother’s coat sleeve with an intensity that required an immediate response, pointed to the violin and said ‘I want to play that’. Perhaps his mother had an innate intuition that this was not just a young boys passing whim, the very next morning she brought him to McCullough Pigotts on Suffolk Street and bought him a violin, he started lessons a month later. Tragically Gregory lost his very special supportive mother way too soon and way too early in life. She influences him and his music daily. There is an intensity that comes with the struggle to accept the loss of a loved one that never fully recedes and perhaps some of the poignancy of Gregory’s music comes from this. Listening to Gregory’s music, there are many emotions hidden under the surface, and we too are allowed a rare glimpse into our own deepest hidden emotions.
Gregory’s music is a combination of classical and crossover, his first three albums have all had varied focus. His most recent album launched last week is Bach: Transcriptions and Variations. Gregory has taken some of Bach’s most famous violin pieces and created his own arrangements. Gregory’s music can have a hint of edginess that is probably due to the unprecedented creativity that I have only found in Irish souls. He doesn’t feel that things should be categorized. Just because one is a violinist doesn’t mean that one can only play classical music, although Gregory wants to be known as Ireland’s greatest concert violin soloist, which he is already well on the way to becoming, he also wants to live his music life without total boundaries which is why he is also known as Ireland’s leading crossover artist. Thanks to Gregory Harrington I and countless more listeners have become aware that the violin is an instrument of enormous versatility and striking beauty with a nuance of expression that could possibly only be surpassed by the human voice. Gregory’s amazing Dad, James Harrington, who is a great support to Gregory, summed it up perfectly when we chatted at the interval of Gregory’s concert album launch in the IAC, “Aine, I have never heard anyone play a violin like that.”
Bach: Transcriptions and Variations by Gregory Harrington
A great holiday gift, gift with an experience. http://www.cdbaby.com/cd/gregoryharrington1
D’ainneoin a bheith cuachta go docht i gheansai liath, coinníonn Gregory Harrington aer ‘elegant’ fós ar maidin liath agus dur roimh an ‘Thanksgiving’ nuair a bhualamar ar an Taobh Thiar Uachtarach le haghaidh caife. Nuair a thaispeánann sé imní mar gheall ar an sneachta, tosaim ag magadh faoi go bfhuil se cosúil le duine dúchasach as Nua Eabhraic. Ach cad a bhfuil sé ag éirí i ndáiríre é no cheann de na veidhleadóirí clasaiceacha is aitheanta in Éirinn, ceann a scuabadh do dhaoine ar shiúl leis an mothuchain ata ina chuid ceoil, mothuchain agus ceangail, dhá focail a thagann suas go minic i rith ár gcomhrá.
B’é an nasc is chorraitheach amháin a bhfuil taithí agam i mo shaol na an chéad uair a chuala mé Gregory ag seinm a cheol. Bhí sé i Grand Beaux Arts Salon an JW Marriott House Essex Hotel House, Éireannach anaithnid roimhe seo dom, ghlac se lár an aonaigh agus mhínigh sé an cúlra leis an gceol a bhí sé ar tí é a imirt. An dara píosa a bhí le aoi speisialta, ar Leas-Uachtarán Joe Biden a raibh a seanathair mor ina fidléir dall Éireannach a thainig go Meiriceá. Roghnaigh Gregory piosa ceol ó Uí Chearbhalláin, fidléir dall clúiteach ó Céideadh, Co. Ros Comáin. Suí le linn an tost stunned mar a bhí a bhí na nótaí haunting, bhí sé mar má beochta spiorad an trí ghlúin roimhe sin de Biden le gach faoi deara. Ina shuí in aice leis an Leas-Uachtarán, breathnú ar an emotion eitseáilte ar Tá Gregory mar a chuid ceoil: a chur in iúl, eloquent, a fheictear, le déine bhunúsach. Lena léiriú dian agus tuiscint inbheirthe stíl, tá sé ar chomhleá lá nua-aimseartha de Clarke Gable agus Laurence Oliver. Bheadh sé breathnú go cothrom ar an rúidbhealach ‘Ralph Lauren no ar an stad i Halla Carnegie.
Cé chomh luath agus a thosaigh se ? Ag freastal an ‘Dublin Horseshow’ I mhaile Átha Cliath lena mháthair, thug se faoi deara ceathairéad teaghrán ag an Bandstand, agus a d’astraigh an fócas ar fad de shaol Gregory sa todhchaí. Ag éisteacht leis an veidhlín, rug Gregory a mháthar chum cóta le déine a mbeadh gá le freagra láithreach, aird ar an veidhlín agus dúirt ‘Ba mhaith liom e sin a imirt”. B’fhéidir go raibh an intuition inbheirthe nach raibh sé seo ach whim buachaillí óga, an maidin ina dhiadh sin thug sí air Lestor Piggots ar Shráid Parnell agus cheannaigh dó veidhlín agus ceachtanna. Go tragóideach chaill Gregory a mháthair iomasach an-speisialta ar bhealach ró-luath sa saol. Bíonn tionchar í féin ar Gregory agus a cheol gach lá. An duine a bfhuil streachailt acu chun glacadh leis an caillteanas de grá amháin riamh go hiomlán, b’fhéidir roinnt de na cheol Gregory ar a thagann as seo. Éisteacht le ceol Gregory s, tá go leor mothúcháin i bhfolach faoi dhromchla, agus táimid cheadaítear freisin le léargas annamh i ár mothúcháin is doimhne féin i bhfolach.
Today we stand together. Family members and close friends, each with deep personal feelings and memories of Liam Ryan, stand alongside others too young to have known him. All of us can feel anger at his murder.
Surely, it is murder when the vaunted British crown forces arrange killings by loyalist proxies and paid agents. It is murder, even when the murder victim was, like Liam Ryan a Republican, or like Michael Devlin, in the company of a Republican, or as other families here know, the parent or aunt of a Republican.
All of us can be angered by the British policy of murder cover-up.
European Law says that the families of state murder victims have a right to justice. Britain deems such rights null and void when the victims are Republicans, or justice means ending the one-sided immunity or impunity for British troopers or constabulary.
Even today, families of the victims are still denied justice, still denied truth, still stonewalled and still told lies. Even an Ombudsman or Coroner, who makes the mistake of actually trying to get truth, soon finds they will be denied the funds or documents to do it.
All of us – and I do not want to be misinterpreted as speaking about armed actions in the different conditions and circumstances of today – but we are not here for any sorry initiatives, not here to demean his legacy by apologies. All of us are here to honor the memory of a true patriot with pride.
There is today another ongoing round of talks. Last year’s Haass talks have become this year’s Hart talks.
We frequently hear words like parity of esteem and equality. We will not accept a “parody of esteem” where we are expected to hide our grief, our anger, and our pride in this brave soldier, lest we give offense to others who believe Republicans in Ireland are not entitled to such feelings.
To understand Liam Ryan, first understand the times in which he lived. He was born before the British shifted from one party Orange rule, to granting shared space tied to an immovable DUP anchor, where every legitimate demand for justice, as Gregory Campbell so crudely said, can be treated like toilet paper.
Liam was born before civil rights marches. Because he was a Ryan from Ardboe, and where his parents sent him to church and school, that was enough to mark him as suspect, second class and someone the six county state could best do without.
They did their best to send this message with a whole system to deny nationalists jobs, housing, and gerrymander votes. Just to be sure he understood, the crown forces would remind him when they met him on the road.
It is easy to understand why when people speak of the beginnings of civil rights in the Six Counties, they speak of marches in Coalisland or Dungannon or the first housing sit-in by a Tyrone family. It was easy to understand why when British troopers proved they did not come to back civil rights but to impose Internment, and to shoot down those who got in the way at Ballymurphy, or protested in Derry, that Liam came to believe you would not never get civil rights from a regime ready to answer civil right protests with Bloody Sunday. He came to see that the injustices he lived under were no accident but were allowed by the British because they served British interests.
He went to New York where I would come to know him. He found a new life where being a Ryan from Ardboe, did not count against him and indeed often counted for him. He found work with the power company, Con Edison. He had sisters and cousins nearby.
He found an apartment near Gaelic Park where he spent Sundays. He found Tyrone Societies and Clan na Gael. And who could have blamed him if he enjoyed this new life and put thoughts of Tyrone or the six counties behind him, or perhaps attended a few protests outside the British Consulate, or given some money for Republican prisoners.
That was not Liam. You could take Liam Ryan out of Tyrone but never take Tyrone out of Liam Ryan. The struggle and injustices here were never out of his thoughts. His dream was always to live and raise a family in a Tyrone where the injustices he lived under were a thing of the past. He dedicated his life to help make that so.
He worked in Clan na Gael and with Irish Northern Aid. He was one of those men and women from the Six Counties who were a constant inspiration and reminder to all of us. They were the vanguard of everything we in America did to raise money for the families of political prisoners or to build American political support for Irish issues.
He made his home a refuge and landing spot for others. There I would first come to hear of Gerry McGeough. He cannot be here because he is under threat of Internment by License. Gerry McGeough, like Ivor Bell, or Seamus Kearney and others are living reminders that the British will go back thirty or forty years and have no shortage of money to trump up charges against some republicans. They then tell us there is no money to arrest the Bloody Sunday troopers, or give the Ballymurphy Massacre families an inquiry, or take any steps which threaten the blanket immunity or impunity for British troopers and constabulary.
There I first met Lawrence McNally who would die alongside Liam‘s cousin Pete, and Tony Doris. Their car was fired upon until it burst into flames. They still cannot get an Inquest.
I remember asking why Lawrence had given instructions to be buried in Monaghan instead of Tyrone. I was told so that that so he could be buried and mourned without his grave and family being abused by crown forces. The next day I saw Pete Ryan’s family jeered and taunted about barbecues and barely let out of their homes to bury him. How right Lawrence had been.
As he was preparing to come back he was arrested in New York for sending weapons to the IRA. He faced a possible jail sentence. His lawyer, friends including myself, pressured him to apologize as is customary in American courts. He told us he had done no more than one of his relatives who had helped Erskine Childers bring arms into Dublin for the Easter Rising. Finally he agreed to make an apology in the American court.
Liam told the Judge that the only apology he wanted to make was to apologize to the IRA Volunteers who did not get the weapons. Judge Sifton, who had no Irish connections, but who presided over several Irish trials, smiled and said that the Irish accused like Liam were unlike the criminals who came before him and let him go with unsupervised probation.
He came back to Tyrone to open the Battery. I was banned from the North and the British had used my presence to attack a peaceful rally in Belfast. So we could meet in Dublin, or more likely Monaghan, but not in the Battery Bar in Ardboe, County Tyrone.
“We will have you up at the Battery for a free drink,” Liam joked when I telephoned him twenty-five years ago to say I would be traveling to Dublin for weekend meetings between the Irish Northern Aid executive and Sinn Fein leadership.
“Our friends have been about this last week,” he continued. It meant that the Royal Ulster Constabulary, backed by British troopers, had been patrolling heavily in the Ardboe area.
He added, “I may be back in the Bronx with you, but will say more when I see you.”
These words were ominous. For Liam to hint at leaving Ardboe meant that he was under serious threat which he would not talk about on a likely tapped telephone line, but would explain when we met.
I would never see him again. The following evening the crown forces which had been flooding the Ardboe area would suddenly disappear. At closing, as Liam Ryan stood by the door, a loyalist death squad would arrive at precisely the correct time and place.
Liam Ryan would be murdered as he attempted to slam the door shut and protect those patrons still inside. It was taken for granted that the British crown forces had given the intelligence, cleared and shielded the arrival and escape of the murder gang. The RUC would eventually arrive, with smug smiles, not bothering any pretense of sympathy, as they dismissed any chance that anyone might ever be caught or identified.
There was a phrase often used on newscasts about incidents which had “all the hallmarks” of the IRA. Liam’s murder had all the hallmarks of a crown directed collusion murder.
How could crown collusion in so many murders at such a high level of cooperation over so wide an area and so long a time continue without the knowledge and approval of the British at the highest levels?
There is now another round of talks that is supposed to tell us agreed formulas and legal mechanisms to deal with past events like Liam Ryan’s murder.
I cannot speak of him without remembering that he was murdered because he wanted freedom for all of Ireland so deeply. Many hoped that the Good Friday agreement had opened the door to this freedom. It seems clear that the British saw it as a way to nail the door shut.
We are less than eighteen months from the centenary of the Easter Rising, and that pledge of freedom, which Liam Ryan always said should apply as much to Thomas Clarke’s county as anywhere else.
This is an edited version of a recent speech delivered by Martin Galvin in Co. Tyrone at an event commemorating the death of Liam Ryan, Tyrone native and U.S. citizen.
By Joe Biden
My grandfather Ambrose Finnegan always told me, “Never forget where you came from, Joey.”
He wasn’t merely reminding me that I’m from Scranton, Pennsylvania. He was telling me not to forget the journey of my family, and the dreams that inspired them to take on the perilous voyage from Ireland to these shores in the 1840s and 1850s.
The history of the journey of this country has always been the promise that anything is possible.
That’s what attracted wave after wave of immigrants for centuries. And every generation of immigrants has infused this country with new blood, new ideas, a new determination, a new certainty that we will continue to be the land of possibilities.
But right now, our system is broken, and it needs to be fixed. It needs to continue to hold out the promise of possibilities. There are 11 million undocumented people living in the shadows. They hail from across the globe, including an estimated 50,000 from Ireland.
They want what we all want: a decent life for our children, the chance to contribute to a free society, the chance to put down roots and help build the next great American century.
It is long past time to bring these families out of the shadows, to eliminate the daily fear of separation and restore opportunity – and accountability – to millions of people living in our midst.
Over 500 days ago, the United States Senate passed legislation with bipartisan support to improve border security, streamline the immigration process, and establish a firm but fair path to citizenship.
“It is long past time to bring these families out of the shadows, to eliminate the daily fear of separation and restore opportunity – and accountability – to millions of people living in our midst.”
It would be an absolute game-changer for our economy, adding $1.4 trillion to our economy and reducing the deficit by nearly $850 billion over 20 years, and extending the solvency of Social Security by another two years.
Unfortunately, House Republican leadership has refused to allow a fair vote on this legislation, despite support on both sides of the aisle.
That left President Obama with a choice – sit by as families are torn apart and our economic horizons are diminished, or take action within the power granted his office by the United States Constitution. As the President announced on Thursday, he has chosen action.
Following in the tradition of every Republican and Democratic President over the past five decades, President Obama announced that he is using his executive authority to address the nation’s broken immigration system.
The actions President Obama announced on Thursday will crack down on illegal immigration at the border, prioritize the deportation of felons instead of families, and streamline our legal immigration system to boost our economy and promote naturalization.
The President’s action will also provide an opportunity for millions of undocumented individuals who have been in this country for at least five years to come out of the shadows.
This opportunity is not available to everyone. It is for DREAMers who were brought to this country as children. And it is for the parents of children who are U.S. citizens or lawful permanent residents.
These parents will have the opportunity to request work authorization and temporary relief from deportation if they come forward and pay their taxes, submit biometric data, pass background checks, pay fees, and show that their child was born on or before the date of the President’s announcement.
The President’s actions will help grow the economy and reduce the deficit, as more workers come out of the shadows and contribute to our economic growth and tax base, and entrepreneurs gain a greater opportunity to innovate and create jobs in the United States.
It remains my fervent hope that Congress will allow a fair vote on a comprehensive immigration reform bill to permanently address our nation’s broken immigration system. That is the only long-term solution.
But the President’s actions are a strong step forward, consistent with the values that built this nation – opportunity, responsibility, family.
These actions are an affirmation that we as a people will never forget where we came from.
Joe Biden is Vice President of the United States
This column was published in the Oct. 22, 2014, issue of the Irish Echo.
By Maura Mulligan
Recently I was invited to read at the Hudson Valley Irish Fest in Peekskill. One of two guest authors, I was honored to be in the line-up with Ray O’ Hanlon author of The South Lawn Plot and editor of this Newspaper. As I dragged my wheelie bag full of books up the hill from the train station to the festival grounds, I suddenly realized that a convent I once lived in stood on the other side of the train tracks.
Memories of zealous, young postulants in long black skirts, devout white-veiled novices, altar candles, celestial singing and burning incense shot through my brain as I walked past kilted pipers and popular bands like “Black 47” preparing to mount an outdoor stage.
In September 1962, I entered the convent of Mount Saint Francis, the entrance of which was now distracting me from this festival. I wanted to get into the spirit of the celebration and focus on fiddlers playing for hard-shoe step dancers and artists transforming children’s faces into butterflies, birds and cats. Most of all, I wanted to focus on my reading.
But as I waited my turn to read, my mind flew back to that chapel (just steps away) when I had knelt along with twenty-five other young women on the hard tiles facing the altar, where we bent forward in prostration as Brides of Christ. The knell of the death bell signaling death to the world had saddened members of the congregation causing sobs and moans to blend with the drone of the organ. My mother, living in Ireland was unable to attend the ceremony. Had she been there, I pictured her turning to the “mourners” and voicing firmly, “Well, for God’s sake, will ye pipe down. They won’t have a care in the world when they’re married to the Lord.” For young Catholic girls at that time, having a vocation to become a nun was highly regarded and treasured.
The excerpt I read at the festival was about my first job as a fourteen -year –old housemaid in what my mother called “a grand house.” But although that experience was about a place in my native County Mayo, the chapter from which the excerpt was taken began in that convent on the other side of the train tracks, the place where I was told, “you have an Irish accent. The children won’t understand you. Off you go to the kitchen.”
And so I was assigned to help the priest’s housekeeper.
A passing train caused me to pause my reading. While I waited for the reverberation to fade, I was sidetracked by flashbacks to a time when that same lonesome horn penetrated the chapel walls where, in a white wedding dress and veil, I walked down the aisle as the organist played Veni Creator Spiritus, while the train horn reminded me that I, and the other young women who joined the order with me, had left the world behind.
After my reading, I watched families enjoy a picnic as they listened to bands like ‘Black 47’ and ‘The Druids’ on an outdoor stage. I looked across the train tracks and saw the entrance to where I had shared meals in silence with the other young nuns in training.
I remembered the evening I became a novice. We were allowed conversation at supper instead of listening to spiritual reading from the works of Pierre Teilhard de Chardin and his likes. But as new novices, we were anxious about what would happen when the meal was over. We didn’t want to talk much that evening.
After supper, the workroom with its sewing machines and tables became a waiting room, and the bead room, where the large rosary beads that hung at our sides were strung together, was turned into a barbershop. Sister Mariella, our novitiate equivalent of a class clown tried to joke. “Let’s call this the beauty parlor,” she giggled. No one laughed this time. We sat at the long tables in silence, reading The Lives of The Saints while waiting our turns.
The nun assigned to rendering us bald, sighed loudly when she looked at my shoulder-length, auburn curls. I could tell she did not enjoy cutting young women’s hair off. This act of replacing one’s hair with a veil was supposed to render us less vein. While Sister Eucharia chopped away, I tried to bring Christ’s life and death to mind but felt that my shiny tresses were crying to me from the floor. A part of me was dying, and I was responsible for the murder.
I came to terms with what I called a “temporary vocation” when I left and started a new life some years later.
As I signed copies of my book for people at the festival and listened to singer, Mary Courtney invite guests to come forward and share a song or story. I reminded myself that if it wasn’t for that other life at a time when I was much younger and more idealistic, I would not have this and other stories to tell now.
After the festival, I walked towards the convent gate, not sure if I wanted to open it – to revisit my past. I settled for a long look at the old buildings where the current residents are no longer young, though most are undoubtedly still zealous.
Maura Mulligan’s memoir, “Call of the Lark” was chosen for the Irish-American book club discussion on November 5th
This column was published in the Oct. 29, 2014 issue of the Irish Echo.
By Maura Mulligan
The moment I sat at the table my chair shattered. All four legs and the stretchers connecting them flew in different directions. A little spooked, but unhurt, I took a friend’s hand, lifted myself off the floor and adjusted my goddess costume.
Friends at the table fussed. “Are you hurt? What on earth happened to that chair?” The restaurant manager commanded a staff member to find another chair. He asked if I was okay. “I think so,” I managed.
I celebrate the ancient festival of Samhain with friends every year. Guests dress as someone from our Celtic past and bring the character to life with a story, song or dance.
This was our first time meeting in The Landmark Tavern, a saloon in Hell’s Kitchen that dates back to 1868. I liked the squeaky door that leads to the second floor dining room. The brick fireplace and dark wood furniture made me want to be there on this night of ghosts. Now, I wasn’t so sure anymore.
When my chair was replaced, the wait staff continued taking orders as if nothing out of the ordinary had happened. I too, acted as if nothing went wrong. I wasn’t physically hurt, but felt threatened in some way.
Maybe, I thought, the Confederate Civil War soldier who was stabbed in a fight and staggered up to the second floor (where we were) didn’t approve of our using the bathroom where he died in the bathtub that still sits in the middle of the floor. Or maybe George Raft, the Hollywood gangster who roams around the old mahogany bar didn’t like my costume?
While trying to calm myself with a glass of merlot, I thought about the Tavern’s third ghost, the young Irish girl who came here during An Gorta Mór – the famine. She died of cholera on the third floor when this pub was a flophouse. Maybe young ghosts don’t like it when we, the living tell stories about the dead, I mused.
But I didn’t really believe in ghosts. Did I?
As a child in County Mayo, I had asked my grandfather if ghosts were real. “Arragh,” says he, “they are and they aren’t.”
Samhain, according to old Celtic beliefs is the time when the veil between this and the other world is lifted and the dead return to the homes they once occupied. In rural Ireland where I grew up in the 40’s/50’s it was customary to greet the returning spirits with a jack-o-lantern carved out of a turnip.
So, in the company of ghosts real or imagined, yours truly in the guise of the goddess, Danú, most ancient of all Celtic deities, decided it was time to forget about the broken chair and get the festivities started.
Revolutionaries, artists, historical, and mythological figures were they’re waiting to tell their stories. As we recalled our rich heritage, and learned from each other’s research, I tried to concentrate on the presentations but couldn’t help wondering if the resident ghosts had other plans for me.
Lady Wilde, poet, nationalist, and mother of the more famous Oscar, asked how I was feeling. “A little threatened,” I admitted. I talked to Nancy, one of the wait staff, who told me about an occasion when she served two young men who were there for dinner.
“Both water glasses shattered at the same time,” she recalled. “No one was even touching them. The glass went all over the burgers and beer.” Her colleague, Louis confirmed this remembering that he had to clean up the table while Nancy replaced the food and drinks.
Well, that didn’t make me feel any better. Back at the party, I was glad when revolutionaries and warriors showed up. Sword in hand, Cousin Eileen stormed to the fore as the fierce Scottish woman warrior, Scáthach. She, who trained the great legendary hero Cuchulainn, flew in from Dún Scáith (Fort of the Shadows) to tell of her many powers. With her likes around, I felt a wee bit safer.
Some months later I ventured back to the Landmark on a Monday evening and was warmly welcomed and given the best table near the musicians gathered for their weekly seisiún. The manager, Michael was hesitant to speak of possible resident ghosts but he did say that, “people sometimes sense something on that second floor.” He was glad I wasn’t hurt but couldn’t explain why the chair exploded as it did.
October 31st is just around the corner and I am once again making plans for a Samhain party. Although some friends are hesitant about returning to the ghostly pub, it’s my opinion that since Celtic poetry is our theme this year, the ghosts, if they exist, will feel less threatened by the presence of Yeats, Heaney, Burns, Cáitlin Maud and their likes. We aim to have a spooktacular evening.
Maura Mulligan is the author of “Call of the Lark,” a memoir. (Greenpoint Press).
Page Turner / Edited by Peter McDermott
Damian Shiels, the keynote speaker at the 2014 Tennessee Civil War Sesquicentennial Event, will present “Patrick Cleburne at the Battle of Franklin” at the Factory in Franklin, on Friday, Nov. 14 at 10:45 a.m.
Robert E. Lee described him as “A meteor shining from a clouded sky” and 150 years after his death following the Battle of Franklin, Cork-born Major General Patrick Cleburne remains an intriguing and popular figure.
One of the reasons, said “The Irish in the American Civil War” author Damian Shiels, is that he recommended the freeing of the slaves and thus doesn’t seem “quite so invested in the institution of slavery as some other Confederates.”
He proposed the policy “because he felt it a military necessity to do so, not because he believed in emancipation per se,” he added.
“When he brought the proposal forward in January 1864 it was suppressed and the fact that he made it at all was only discovered by chance decades later,” said Shiels, who will give a lecture on Cleburne in Franklin, Tenn., on this Friday.
Shiels is a conflict archaeologist, who runs the www.irishamericancivilwar.com website, which contains 100s of stories relating to the Irish experience of that conflict.
His book on the subject, he said, “was initially published in Ireland in an attempt to raise awareness of the impact of this conflict on Irish emigrants. The vast majority of people in what is now the Republic of Ireland are unaware that for many Irish counties, it was this war that saw more men from their locality in uniform than any other in history.”
Date of birth: Oct. 1, 1979
Place of birth: London
Partner: Sara Nylund
Residence: Midleton, Co. Cork
What is your writing routine? Are there ideal conditions?
My two main types of writing are for my website, where I try to create a few articles per month, and for traditional publication in books and journals. I work best having a major block of time to work in without distractions, preferably over a number of hours. I always aim to keep narrative central, so once relevant research is done I tend to write a piece in its entirety, then go back over it a number of times to polish and refine it.
What advice do you have for aspiring writers?
When I was first asked to write a paper I initially refused, thinking of a million reasons it might not go well. In the end I decided passing up the opportunity would be something I would long regret, and since then I have always sought to publish as much as possible. Everyone can write, and there is always someone who will want to read what you have to say. In the digital age, it is now much easier to ‘test the waters’ by putting a few pieces up online- there are few better ways to develop and refine your writing style than setting up your own blog.
Name three books that are memorable in terms of your reading pleasure.
In terms of Civil War history, recent works that have influenced me include David Blight’s “Race and Reunion: The Civil War in American Memory,” Drew Gilpin Faust’s “This Republic of Suffering: Death and the American Civil War” and Gary Gallagher’s “The Union War.”
What book are you currently reading?
I am currently reading Stephen V. Ash’s “A Massacre in Memphis: The Race Riot That Shook the Nation One Year After the Civil War” which is a must read for anyone interested in the history of the Irish in the South, particularly with respect to Irish interactions with African Americans in the Nineteenth century.
Is there a book you wish you had written?
Far too many. I would love to be able to write historical fiction- any of John Boyne’s works for example, or perhaps Pat Barker’s ”Regeneration” trilogy, which are superb.
If you could meet one author, living or dead, who would it be?
This would have to be one of the many Irishman who wrote accounts of their experiences of the American Civil War. I have plenty questions I would like to ask them.
What book changed your life?
The Ladybird “Adventures from History” series which explored great people and events from history really ignited my love for the past at a formative age. They still adorn my shelves in their distinctive blue livery.
What is your favorite spot in Ireland?
Doe Castle in Creeslough, Co. Donegal. My mother’s family are from nearby and it was the site that led me to pursing archaeology as a career. Figures such as Red Hugh O’Donnell stayed here and its dramatic setting make it one of the most picturesque castles in Ireland.
You’re Irish if…
For the purposes of my work on the American Civil War, I classify people as Irish if they were either born in Ireland or were part of (or sought to be recognised as part of) the Irish-American community. This is something I would hold to today, there should be room for everyone who wishes to identify as Irish (or part Irish) among the Irish diaspora.
By Áine Ní Shionnaigh
Driving across the iconic George Washington Bridge on Saturday evening last, leaving the twinkling lights of Manhattan behind, the panoramic Palisades peer back at me through the darkness, and hesitatingly welcoming me to North Jersey. My usual vision of the broad expanse of the historic Hudson River is limited somewhat by driving rain and wind. I mourn the loss of endless summer evenings which have been bluntly replaced by this November blackness. Crossing the world’s busiest motor vehicle bridge, I can’t help but contrast it with the bridge in the center of my hometown of Boyle which has been the subject for countless photographs, postcards and publications since it was first built as a wooden structure in the 1750’s. The scale of one when juxtaposed with the other is hard to comprehend. The Boyle Bridge, although historical and picturesque is more akin to a bump in the road, its span accommodating on average three vehicles at one time. It is easy to see why in 1981, 50 years after the George Washington Bridge was built, it was designated as a Natural Historic Civil Engineering Landmark, largely due to the imposing exposed steel grafts.
Once over the bridge and officially in Jersey, the tempo changes, the GPS system kicks in out of necessity, the scenery is quickly forgotten as I scan the highway for exits. Surprisingly quickly, I reach my destination, the Graycliff Manor in Moonachie where the Bergen Council of Irish Associations of Greater Bergen County are holding their 2014 Grand Marshal Quentin Kennedy Jr’s Dinner and Celebration of Irish Culture.
I am greeted by the usual ‘Are you here for the Irish event?’ when exiting the car. Someday I’ll cause confusion by turning up for the Italian night! On entering the salubrious surrounding of the Graycliff, I am almost overwhelmed by the sea of Irish faces, 260 to be exact. As I’m looking for a seat, a woman passes me by with that open friendly countenance that is commonplace in the West of Ireland. I can’t resist remarking if she is from the West of Ireland, not only is she from the West, she is from the same County, County Roscommon and in fact she comes from Arigna which is just a few miles down the road from me. As is typical of West of Ireland hospitality, within a few minutes of meeting Mary Cullen , I am seated at a table in the corner in the midst of her all-embracing family, busy chatting about Doherty’s bakery in Boyle where Mary and one of her sisters, Kathleen worked. Her husband has been ousted from his seat to make space for me, it turns out he is one of tonight’s honorees; the recipient of The Turlough O’Carolan Award for Musical Achievement, James Joseph Higgins. Jimmy immigrated to the United States in February 1957 from Coleraine, Co Derry, where he was born and raised and started playing the bagpipes at the tender age of 12. Upon coming to the Unites States he played with many bands and in 1986, he founded the Bergen Irish Pipe Band and became the piping instructor and organizer. Since moving to Bergen County, over 42 years ago, Jimmy has been involved in a huge variety of Irish activities and has been such a great addition to Bergen County.
The second honoree of the night is Carmel Quinn who is the recipient of the 2014 Humanitarian Award. Carmel has spent the last five decades captivating the American public as a singer, comedienne, storyteller and humanitarian. She was born and educated in Ireland. She began performing locally in theaters, dance halls and went on to work for the BBC in Great Britain. In 1954 she immigrated to the United States where she began to appear as a regular guest on the Arthur Godfrey radio and TV programs. Following this she became a frequent guest on the top national TV shows, recorded numerous albums, acted in numerous stage productions, performed for John F Kennedy and Lyndon Johnson but more important than all that , she is a wonderful humanitarian donating so much of her time and money to charities in Ireland and the US. As I marvel at her youthful complexion, I realize it is probably more due to the fact that she carries out on a daily basis the best Irish tradition, helping those in need and serving as a shining example for the rest of us.
And our very own Ray O’Hanlon, well known editor of the Irish Echo and acclaimed author of two books, The New Irish Americans and The South Lawn Plot, is the recipient of the 2014 William Butler Yeats Award. O’Hanlon has a particular interest in the immigration issue, which his 1998 nonfiction book deals with from his first-hand experience of same. Ray is very proud to be the editor of the oldest Irish American newspaper in the country, which still provides a valuable connection for over 100,000 Irish, a connection which is not available on more ‘instant’ internet websites. His book ‘The New Irish Americans’ was the recipient of a Washington Irving Book Award.
All in all it was a wonderful night, organized by a wonderful organization. There was great entertainment provided by The Ridgewood Dance Academy and The Bergen Irish Pipe Band.
The Council of Irish Associations of Greater Bergen County strengthens Irish American culture in Northern New Jersey. In 1980, George P Gunning led a meeting in Paramus Park mall where various organizations gathered together and discussed the possibility of forming a Council. The Council was formed that evening and George P Gunning served as the first President. The Council’s first St Patrick’s Day parade was held on March 14th 1982, the 2015 parade will mark their 34th anniversary. The council operates as a 501©(3) charitable organization. Maith thu to all involved.
Michael Connelly’s novels have sold 59 million copies worldwide. “The Burning Room” is the 17th Harry Bosch book, the latest in the “finest crime series written by an American,” according to the Washington Post. [Click on picture for larger image.]
By Peter McDermott
Best-selling crime writer Michael Connelly has been treated well by Hollywood over the years, and he’s been treated badly.
In the latter category is the fact that his Harry Bosch books, which have sold tens of millions of copies, were tied up for 12 years in a movie project that went nowhere.
But the good news is that the fictional LAPD detective is destined to be a television regular soon, courtesy of Amazon Studios.
“It was an offer I couldn’t refuse,” said Connelly, whose most recent novel, “The Burning Room,” is published this week. “When Amazon wanted to do this, they only wanted to do it if I was involved and involved in a big way.
“I’m not the boss or running the show [‘Bosch’], but I have a say, a creative say, and it’s been fun and fulfilling.
“When I finally got them [the rights] back two years ago, I didn’t even think of selling them to the movies,” Connelly said. “I had a few offers, but I dismissed them right away.
“TV is where it’s at – TV is where you can really delve into character and have hours to do it,” the novelist said.
Both Clint Eastwood (“Blood Work,” which the actor directed in 2002) and Matthew McConaughey (“The Lincoln Lawyer” in 2011) have played established Connelly characters, neither of them, though, Harry Bosch. The writer is particularly protective of the LAPD detective, the central figure in 17 of his books. And the screen, big or small, is where things can stray radically from the writer’s vision.
“Any creative person is going to have that concern. You go into a room by yourself and create. It means a lot to you,” Connelly said. “To hand it over to other people who are going to tell that story again, but in quite a different way, is a scary process.
“In the contract, I can veto anything, but I surrounded myself with people who knew the books and liked the books and cherished the books and are predisposed to be protective and then on top of that I can say ‘Harry would never do this.’
“I’ve probably only said that twice,” said Connelly, who at the time of the interview with the Echo was at work on the 6th of the 10 episodes of “Bosch.”
“It’s more a negotiated way of trying to get the Harry Bosch point of view across. I’m lucky. I don’t need to have it in the contract with the group of people I’m involved with. They take me at my word,” he said.
Connelly’s new role as screenwriter is, he said, “under the category of teaching an old dog new tricks,” involving as it does telling a story in a different way.
“I’ve always been able to go inside his head and to write about what he thinks, how he sees the world,” the novelist said, “and I think these are key aspects of his personality and the key things that made him connect with readers and be successful around the world. And those things go out the window when writing a screenplay – you can’t talk about what somebody is thinking or how they view the world.
“That’s a huge transition for me,” he said. “Luckily, I’m not by myself in any of this writing.”
Connelly began his writing career as a journalist in Florida, after he graduated college. The family, though, started out in Philadelphia, where he was born on July 21, 1956. The novelist, whose eight great-grandparents were Irish immigrants, told the Echo in 2011 that he still had 25 cousins in the city.
His mother, a homemaker, and father, a builder, left with their six children in the late 1960s in search of opportunity in South Florida. Connelly, the second-born, inherited his mother’s interest in crime fiction and as a young journalist he was inevitably drawn to crime stories.
One assignment proved to be a turning point of sorts. It involved tagging along with a homicide detective named Sgt. Hurt for seven days. He recalled about Hurt in the previous interview in the Echo: “I knew there was a lot of internal world there, a lot of internal things going on.” He quoted the former LAPD officer and fellow novelist Joseph Wambaugh saying that “stories are not about how cops work on cases, but on how cases work on cops.”
Connelly said of Harry Bosch: “He’s a kind of a court of last resort for victims, and I think in a way he revels in that. He has this ability to make cases personal, if they’re not. The key for him as a detective is to get angry about cases and that gives him the juice he needs to be relentless to carry out the mission.”
Working later for the Los Angeles Times, Connelly developed contacts with homicide detectives and today he has a “small cadre” of LAPD officers from the cold-case squad that help keep his work authentic.
The cops have all visited Connelly on the “Bosch” set.
“I’ve been on set two or three, sometimes five days a week. Yesterday, I was on the set from 10 to 10,” he said in a phone interview.
Asked if he enjoyed it, he responded: “Yeah, I do. The hours are long but it’s such a counterpoint to what I’ve been doing as a writer for 25 years. I work in a room by myself; when I’m on a set it’s like a little city — there’s 150 people, all working there because of what I did back in that room by myself. That’s not lost on me. It’s a pretty cool thing to see happen.”
There is a writing staff of eight people on the show, “all of them experienced, all great writers,” he said.
Connelly added: “We always want at least one writer on set to watch everything being set up, make sure it’s as written, make sure the subtleties of each scene are understood. So, many times that’s me. Most of the time, we have more than one writer on set.
“They have a thing called a video village where everything shot is shown on the screen, so you can see exactly how it’s going to be,” he said.
“If it’s good it’s good, if needs a tweak or something is missed, you are there to watch over that,” said the novelist, who is married and has a teenage daughter.
Connelly feels his life has come full circle in a way. He grew in the 1960s and early ‘70s loving film adaptations like “Bullitt,” “In the Heat of the Night,” “The French Connection,” and “The Godfather.”
“There are tons of transitions, adaptations from books that are pretty inspiring,” he said, citing also an example from a later era, “Silence of the Lambs.”
Now, he said, “very few, subtle films, whether they’re crime films or not, are getting made.
“It’s transitioning into TV where you can do great serialized stuff.”
Connelly referenced an article in the previous day’s Hollywood Reporter about the TV renaissance: “There are over 200 shows on right now, which is amazing. No wonder it’s drawing a lot of talent.”
A two-hour movie, if successful, might lead to another two-hour movie. But on TV, success could lead to 60 hours or 75 hours of screen time.
“It’s really unlimited if we start out by making something good,” Connelly said.
He’s happy about that prospect, not least because it’s another full circle traveled.
“I loved shows like ‘Kojak’ and ‘Mannix,’” he said.
They helped make him the writer he became, he believes, influenced as he was by the visual as much as by reading giants like Raymond Chandler.
And for good measure, the novelist pointed out that Amazon Studios’ boss is Roy Price, the grandson of Roy Huggins, who was responsible for “The Rockford Files,” “Maverick” and “The Fugitive” and was of one of most influential TV writer/creators and producers ever.
“I feel a kinship to that, [because] those are the shows that got me interested in crime stories,” Connelly said.
“Bosch,” starring Titus Welliver, will be broadcast on Amazon Prime in early 2015.