Noticeably absent from the 83rd annual Gloves tournament was another Dublin native, three-time women’s 106-pound champion “Ruthless” Ruth O’Sullivan, who withdrew before the preliminaries because of injury.
Hardwick, who at 25 was seven years older than Newman, went one better than past finalists Alo Kelly, a five-time All-Irish champion from Westmeath, and Limerick transplant Don O’Regan. Both light heavyweights, Kelly and O’Regan finished second in 1998 and 2005, respectively.
A bricklayer representing Yonkers YMCA, Hardwick applied incessant pressure on his lanky southpaw foe to earn the nod after three rounds. Newman had John Duddy trainer Harry Keitt were in his corner.
There were few clean and consistent connects, but Hardwick easily outworked his man. The most competitive round was the last in which the two fighters exchanged shots wildly.
“It was very hard,” the victor said. “He’s fit and he’s got the long reach as well. I was trying to counter his jab.”
On how it felt defeating a man coached by Duddy’s trainer, Harwick, now 5-0, said: “I thought he was well prepared [and] he was definitely here to fight. I take my hat off to him.”
He dedicated the victory to his friend Warren O’Connor, who was murdered in Dublin last January.
“Warren was inspiring me in the first, second and third rounds. He’s inspired me the last eights weeks. I dedicate all this to him,” he said.
Asked if he’ll enter the Gloves again next year, Hardwick, in the United States for the past year, gave an emphatic response: “Definitely! Definitely!”
Trainer Richie Sampogna, one of three coaches that work with Hardwick in Yonkers, spoke glowingly of his charge. “Tom is a workhorse; it’s a pleasure to work with him. He loves to train and a coach can’t ask for anything more. He gives 110 percent everyday and it shows in [fights].”
Arthur Williams and Jim Howard, the latter a former amateur standout who had wins in the unpaid ranks over two of Muhammad Ali’s toughest opponents, Jimmy Young and Ken Norton, are Hardwick’s other trainers.
Touted as the world’s oldest and largest amateur boxing competition, The Daily News Golden Gloves has been the launching pad for many professionals, including world champions Emile Griffith, Jose Torres, Floyd Patterson and Riddick Bowe.
A recent report on the car rental shortages stated that the number of cars on offer has fallen from 30,000 in 2006 to just over 12,000 last year, the Irish Independent reported.
The manager of Dan Dooley Motors, Pat Dooley, said that the shortages will be felt by visitors over the Easter break but that the shortfall would become even more noticeable this summer.
The car rental industry is asking newly appointed tourism minister, Mary Hanafin, to do what she can to tackle the car shortage as a matter of urgency.
The initiative is in support of the envoy’s economic mission in Northern Ireland in which the AIF is an active participant and working group member, stated a release from Kelly’s office.
NISP CONNECT is a non-profit collaboration between the Northern Ireland Science Park, University of Ulster, Queen’s University Belfast and the Agri Food & Biosciences Institute that helps develop new science and technology ventures in the North.
In addition, the AIF and the Northern Ireland and U.S. working groups set up to support Kelly’s mission have agreed to seek support for a new employee exchange program that will provide young professionals affiliated with NISP CONNECT an opportunity to gain valuable experience by spending one year working for a U.S. corporation.
“The endowment will provide additional resources to these companies as they are starting to grow and will help them reach their full potential. The American Ireland Fund is to be congratulated for their leadership in supporting this important initiative,” said Kelly.
“The American Ireland Fund is obligated towards seeking a normalized society in Northern Ireland and helping to give the young people in the region every opportunity to succeed. The launch of an endowment to support NISP CONNECT and the development of corporate mentorship and exchange programs will help build on the recent political achievements and I look forward to working with NISP CONNECT and Envoy Kelly in the weeks and months ahead,” said Kieran McLoughlin, president the Worldwide Ireland Funds.
At the moment, I am spending my days reading about the history of the Irish in New York and conducting research. I meet with people on a regular basis who are part of the Irish community in New York. Some are very connected and involved with all aspects of the Irish scene here, while others only drop into the Irish circle at this time of year. I am writing a book (Ph.D) regarding the different ways in which the Irish-born Irish and American-born Irish express their Irishness throughout the five boroughs, from hanging flags and displaying shamrocks outside apartments and houses, giving children Irish names, researching both their family’s history and Ireland’s history, taking annual trips to Ireland, joining Irish clubs and organizations such as county organizations, the GAA, Comhaltas Ceolt
Coupled with this there are the widespread cases of church authorities covering up the activities of pedophile priests, this spurred by the self-imposed priority of avoiding public scandal.
Scandal is scandal, whether it is seen or not and it was, to say the least, na
Tipperary-born Deirdre Scanlan, Casey’s successor as Solas’s lead vocalist, also sang conscience-pricking songs, such as Antje Duvekot’s “Black Annis” and Tom Waits’s “Georgia Lee,” each about a cruel loss of innocence by a child or adolescent preyed on or neglected by adults. Though these two songs deftly employ metaphor and poetic obliqueness to avoid blunt, balky editorializing, they are nevertheless meant to prod the apathetic, the complacent, and the timorous.
On Solas’s new album “The Turning Tide,” Kilkenny native Mairead Phelan, the band’s current lead vocalist, sings three songs of indignation or outrage partly expressed through biblical imagery and references.
Nowhere is that more powerfully in evidence than in “Sorry,” composed by Scottish singer Karine Polwart. The album’s most assured song interpretation by Phelan, it contains this indicting chorus: “For you may lay down your guilt on the altar / You may nail your remorse to the cross / But it’s not enough these days to say sorry / No, sorry won’t pay for this loss.” Other references to “blood on your hands” and “confess to the crime” suggest a retrial and recrucifixion of Christ by those charged with conveying his precepts but willfully ignoring them themselves. This song takes on greater pertinence and stokes greater anger in light of new revelations about child abuse, negligent oversight, and cover-up in the Catholic Church. Probably prompting the album’s title is this line: “No, sorry won’t turn back the tide.” Solas and, in particular, Phelan invest this song with the unflinching, quietly building fervor it deserves.
In his intriguingly allusive song “A Girl in the War,” Josh Ritter uses two biblical characters, the apostles Peter and Paul, to discuss the suspension of the gospel and its rules in time of war. Clever wordplay surfaces when Paul tells Peter to “rock yourself a little harder” (“Peter” comes from the Latin word “petra,” meaning rock) and “pretend the dove from above is a dragon and your feet are on fire,” a line urging more action and less talk. A menacing dragon and flaming feet may be the only way to get Peter–and us–moving. Folded within that plea to overcome paralytic helplessness is a love story with political implications: “I gotta girl in the war, man, I wonder what it is we done.” This is a call to action song without bullhorn browbeating, and Phelan’s breathy, whispered, low-register singing style suits the temper of the lyrics.
The one song interpretation that does not work on the album is “The Ghost of Tom Joad.” Composer Bruce Springsteen took his inspiration from John Steinbeck’s classic 1939 novel “The Grapes of Wrath” and John Ford’s equally classic 1940 film of it, starring Henry Fonda as Tom Joad. This song also carries a biblical reference: “Waitin’ for when the last shall be first and the first shall be last.” But the soul-suffocating struggle described in Springsteen’s song, linking Dust Bowl-era hardship with more recent economic distress (“Shelter line stretchin’ round the corner / Welcome to the new world order”), gets glossed in Phelan’s airily delivered vocal and lost in relatively dense instrumentation.
The album’s other songs are Richard Thompson’s “The Ditching Boy” (“The Poor Ditching Boy” was the full title on Thompson’s 1972 album “Henry the Human Fly”), “A Sailor’s Life” (found on “Unhalfbricking,” the 1969 album by Fairport Convention, featuring Richard Thompson), and “Sadhbh Ni Bhruineallaigh,” a humorous song in Irish about a boatman asking a young woman to elope with him that was previously recorded by Galway singers Lasairfhiona Ni Chonaola and Joe Heaney. All are ably sung by Phelan with stout support from her bandmates.
Instrumentally, Solas still performs with astonishing skill and imagination. The album-opening “Hugo’s Big Reel,” composed by Seamus Egan, reminds us that the band has preciously few peers in unpacking a melody. Egan on nylon guitar, tenor banjo, flute, whistles, mandolin, and bodhran, Winifred Horan on fiddle, Mick McAuley on button accordion, and Eamon McElholm on guitar and piano constitute a tuneful tour de force. Originality is the common thread in McElhom’s inventive “The Crows of Killimer / Box Reel #2 / Boys of Malin / The Opera House,” Horan’s swinging “A Waltz for Mairead” that features a tight interlacing of fiddle and mandolin, McAuley’s stirring “Trip to Kareol,” and two more Egan tunes, the percussive “Grady Fernando Comes to Town” and the contemplative “A Tune for Roan.”
In many ways, this is a bold, even courageous album for Solas. All nine tunes were composed by band members, and the songs “Sorry,” “A Girl in the War,” and “The Ghost of Tom Joad” (despite the miscalculation in its treatment) confront the troubles of today without tepidity or timidity. After nearly 15 years of recording and touring, the band continues to take creative risks. “The Turning Tide” provides ample proof of that, fortifying Solas’s reputation as an Irish traditional band still making a difference.
The album (cat. no. 7-4530-2) is on Compass Records, 916 19th Avenue South, Nashville, TN 37212, 615-320-7672, www.compassrecords.com.
The resignations of three more Irish bishops will be accepted by the pope in the coming weeks following Magee’s departure, the Irish Examiner reported.
Magee, who served as a secretary to three popes, took leave of his position after it was determined that, while being aware of incidents of child abuse by priests, he had not reported the cases to Irish legal and health authorities.
The Kildare squad is managed by Barney Rock, the Dublin sharpshooter from the eighties. The Big Apple boss Seamus Sweeney and his mentors will be quite pleased with this performance as the crew played well together. They were tenacious in defense while the score taking was exemplary, especially in the second half. The team appeared to be fit and supported each other well as they moved the ball with purpose. However the New York mentors will be shrewd enough not to attach too much significance to this result as the opposition had only about half their first team players plus the fact that they were on tour may also have blunted their match fitness.
New York got down to business straight from the throw-in as midfielder Sean O’Neill set up Ken O’Connor for the first score. Indeed O’Connor, aka Big Bird, enjoyed his return to the Big Apple squad as he proved to be a very ample target man in every sense of the word. He also displayed an arsenal of scoring weapons as he fisted over while also scoring off both feet. Corner forward Johnny Murtagh also displayed his considerable repertoire of skills as he cut through for a fine score after Lonan McGuire and Aidan Morton did the approach work. Celbridge were slow to settle down plus their early attacks fell wide off the target. At the halfway stage, Richie O’Sullivan had their opening score when he finished off good support play by Padraig Carty and Dave Byrne. However, Dan Doona responded immediately with a fine effort after linking up well with Ken O’Connor and Mark Dobbin. The exchanges were fairly even at this stage as both sides traded a brace of points. Ken O’Connor and James Moynagh were on the mark for the Big Apple squad while Richie O’Sullivan and Padraigh Carty replied for Celbridge. Ronan Caffrey added two further points for New York to leave them leading by 7 points to 3 at the break.
Straight from the restart, Sean O’Neill pointed after Dan Doona picked him out with a good pass. At the other end, good defensive work by New York forced a turnover which Murtagh punished with a point. The next score was the turning point and the best score of the match as Murtagh burst down the right wing and fired a great shot to the net.
New York were clearly in control as Caffrey followed up with a minor. Cormac McEvoy got one back for the Kildare boys after midfielders Fitzgerald and Byrne did the support work. Paurie Carty and Ken O’Connor exchanged points at the twentieth minute mark. New York cruised through the last ten minutes, with Paddy Smith hitting the net while Michael Sloan and O’Connor had points.
Overall it was a useful challenge for New York as the mentors tried out some new players. Brendan McGourty slotted in well at full back while Alan Raftery was commanding at number six. Ronan Caffrey was very productive at wing back while the other defenders played smartly. The midfielders had the edge with O’Neill displaying a good work rate. Up front, O’Connor and Murtagh stole the show while Doona directed well from the forty. Despite being out played for much of the game, the Kildare boys battled away to the end. Donal Moore, Padraig Carty, and Robbie Hannon tried hard in defense while midfielders Fitzgerald and Byrne had their moments. Up front the main threat came from Mark and Richie O’Sullivan. New York’s next scheduled opponents will be Boston as they continue their preparations for the championship.
New York: Pa Ryan, Lonan McGuire, Brendan McGourty, John Goldrick, Aidan Morton, Alan Raftery, Ronan Caffrey (0-3), Sean O’Neill (0-1), Pat Madden, Mark Dobbin, Dan Doona (0-1), Ross Conovan, James Moynagh (0-1), Ken O’Connor (0-5), Johnny Murtagh (1-5)
Subs: Paddy Smith (1-2), Michael Sloan (0-1), Kevin McGeeney, Alan Carolan, Conor Brady, Patsy Martin, Robbie Moran, Aidan Power, James Huvane, Shane Carty
Celbridge: Paul Spratt, Mick Deegan, Jim Creighton, Donal Moore, Dara McEvoy, Robbie Hannon, Paurie Carty (0-2), Padraigh Fitzgerald, Dave Byrne, Ollie Lyons, Cormac McEvoy (0-1), Shane Harte, Alan Meaney, Mark O’Sullivan, Richie O’Sullivan (0-3)
Subs: David Lyons (0-1), Emmett Rice, Robbie McNamee, John Fitzgerald, Sean Murtagh, Kevin Lawler
Referee: Tom Fahey
Cahill, who was 73, died March 11 as a result of injuries sustained in a car accident on Feb. 25.
The Ardkill, County Cavan native was a popular figure and known to many because of his ownership of the Woodside Steak House from 1980 to 1997.
Cahill was the beloved husband of Breda Cahill and the late Anne Cahill and a father of five. He is also survived by a broader family in the New York area, Ireland and the UK.
Following a funeral Mass on Monday, March 15, at St. Joseph’s Roman Catholic Church in Oradell, New Jersey, Cahill was laid to rest at Maryrest Cemetery in Mahwah, NJ.
But there should be no complaints. This was a poor performance with the added worry of Brian O’Driscoll and Gordon D’Arcy picking up injuries which Leinster must now hope do not threaten their participation in the Heineken Cup quarter-final against Clermont Auvergne on April 9.
The question is whether D’Arcy should have started Saturday’s Triple Crown clash with the Scots. The centre, who has been struggling since the Welsh game with a dead leg, never looked right.
Worryingly, there is a feeling that Ireland got ahead of themselves. While Declan Kidney’s team deserve huge credit for their past achievements, nothing should ever be taken for granted. The Scots represented a real threat.
Most importantly, they had a good scrum, an area Ireland had struggled in all season, and an outstanding line-out. They also had a top class goalkicker in their out-half Dan Parks. Nothing had gone right for them in their previous Six Nations games, and they were due a change of luck.
Paul O’Connell hit the nail of the head when stating: “We needed to play to the best of our ability. We didn’t, they did. It was a poor performance, we didn’t wish to finish on a note like that.”
But even O’Connell could not explain the game’s biggest disappointment, the Irish line-out. What had been a strength in previous matches became a huge weakness. Hooker Rory Best had a bad day with his throwing while there also seemed to be a lack of communication.
Yet, substitute hooker Sean Cronin of Connacht was never brought on. Maybe the Irish coaching team believes he lacks the experience, but surely if he is good enough to be on the bench, he is good enough to play.
Thankfully, the line-out is an area Ireland should be able to solve before the summer tour to New Zealand and Australia. The same, unfortunately, cannot be said of the scrum. Leinster’s Cian Healy is still learning his trade at loose-head, while John Hayes is understandably feeling his 36 years at tight-head.
Their difficulties were all too apparent from the early stages. Although O’Driscoll scored an early try after a quality break from Jonathan Sexton to lead 7-3, Ireland never really looked comfortable. Sexton was having a poor day with his goalkicking, and there were simply too many unforced errors.
One of them was duly punished when number eight John Beattie availed of some some poor Irish tackling to crash over for a Scottish try. With Parkes landing the conversion and adding a drop goal just before half time, Scotland went in 14-7 ahead.
Eventually, Ireland did get level at 20-20 in the second half through Tommy Bowe’s try and a conversion from the touchline from substitute Ronan O’Gara. But you always had the feeling that there was the potential for further disaster, and a minute from time, Parks duly kicked the winning penalty from the touchline.
Not really the way the Irish team had wanted to finish their stay at Croke Park but, rightly, there was an acceptance that the Scots deserved their victory. “We’re here to get results and we didn’t get one.” said Kidney. “We got it wrong.”
To his credit, hooker Best also put his hand up, stressing. ” I didn’t throw particularly well, it’s just one of those things.When things are going grand, you take all the plaudits, now you have to take all the criticism too.”